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In convertendo Dominus (Rameau) : ウィキペディア英語版 | In convertendo Dominus (Rameau)
''ラテン語:In convertendo Dominus (When the Lord turned (captivity of Zion ))'', sometimes referred to as ''ラテン語:In convertendo'', is a setting by Jean-Philippe Rameau of ''ラテン語:In convertendo Dominus'', the Latin version of Psalm 126, (thus numbered in the King James Bible, number 125 in the Latin psalters). It is listed as RCT 14 in the ''フランス語:Rameau Catalogue Thématique'' of Sylvie Bouissou and Denis Herlin.〔Bouissou and Herlin (2007)〕 ==Composition== ''ラテン語:In convertendo'' is one of the four surviving church works of Rameau's early career, dating to the period 1710-1714 when he was working in Dijon or Lyon; other similar works are known to be lost.〔Sadler and Christensen (n.d.), §1 (i); Sadler (1983).〕 The work was rewritten and updated in style for a performance at the フランス語:Concert spirituel in Paris in 1751.〔Sadler (1983).〕 The manuscript of the 1751 version, now in the フランス語:Bibliothèque nationale de France, was originally in the collection of , the lawyer and friend of Rameau who built a large collection of his manuscripts after the composer's death.〔Sadler (1978), p. 139.〕 The motet is scored for soloists, choir, strings and woodwind, and includes, after the fourth verse, a verse not in the original psalm, ''ラテン語:Laudate nomen Deo cum cantico (Praise the name of God in song).''〔 Rameau (1898), pp. 43-56.〕 The final verse is composed to include a fugue which, in the opinion of Reiner Moritz, "can stand direct comparison with ... Rameau's contemporary J. S. Bach".〔Moritz (2004), p. ().)〕
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